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Eat Pray Love more fantasy than spiritual journey

©Photo by Francois Duhamel/Columbia Pictures
Julia Roberts in Eat Pray Love.

 

by Alison Gang, Gazette Movie Critic

Eat Pray Love
Directed by: Ryan Murphy
Running Time: 133 minutes
Principal Actors:
Julia Roberts — Liz Gilbert
James Franco — David Piccolo
Richard Jenkins — Richard from Texas                     
Rated: PG-13
Grade: ** (out of 5)

Single women in their 30s hate one question more than any other: “Why aren’t you married?” Rather than reply with a defiant shout of independence, Eat Pray Love merely repeats the question, and then shrugs.
Based on the best-selling memoir by Elizabeth Gilbert, Eat Pray Love stars Julia Roberts as the writer who leaves her marriage and the life she thought she’d always wanted to take a yearlong journey of self-discovery across Italy, India and Indonesia.
In the book, Gilbert was able to successfully translate this deeply personal, if self-indulgent, quest by injecting a self-aware humor and depth of insight that made you forget how much you resent her ability to escape her problems with a dream vacation (and likely call it a business expense).
Though it’s not nearly as distasteful in this regard as Sex and the City 2, Eat Pray Love the film doesn’t quite hit the same tone as the book, and it comes off more like a female midlife crisis fantasy than a substantive search for knowledge and inner peace.
As much as it shakes its fist at the globally held belief that a woman must have a husband, the Ryan Murphy-directed film still manages to reinforce the notion by story’s end. To be fair, the movie’s title, if taken chronologically, makes clear where the story’s headed. But that doesn’t change the fact that Gilbert’s story arc is tied directly to getting rid of a man (Billy Crudup), getting over a man (James Franco) or falling in love with one (Javier Bardem).
Sure, she meditates at an ashram and visits with a toothless medicine man, but that’s more like window dressing for Gilbert’s undeniable destination in the film — to fall in love.
It takes a few stabs at it, but the film doesn’t leave us convinced that our main character actually achieved what she set out to do — fall in love with herself.
Because the film is divided into three parts, the love story we are ultimately asked to care about is almost as underdeveloped as the film’s abundance of cultural stereotypes that pass for supporting characters. In the end, Gilbert’s romantic resolution feels like an obvious inevitability, unworthy of the almost two and a half hours it took to get there.
On paper, Julia Roberts is perfectly cast here. After 20 years as a marquee star, Roberts is at a transitional period in her career, making more time for her family and less time for movies. As she takes Gilbert’s journey of self-reflection and transformation, it’s hard not to wonder where Roberts’ career will be in a year’s time.
Though too thin for a character supposedly known for eating well and often, Roberts still exudes that movie star radiance. True, much of that can be attributed to the yellow light that continuously bounces off her golden hair, but Roberts single-handedly carries the film and makes it something you don’t mind watching. Still, she never quite takes ownership of the character, giving us more of a down-to-earth movie star than a clever, self-deprecating New York writer.
Amid the sweeping music, beautiful scenery and bite-sized chunks of spiritual wisdom, you can still find some of the genuine moments of realization that made Gilbert’s memoir a touchstone for millions of (mostly female) readers. As an accompaniment to the book, Eat Pray Love feels like a picturesque slide show of a wonderful trip you just took. But considered on its own, the film makes you feel like the friend that’s forced to watch it.      

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