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Kate Bosworth book based film, 21, is a safe bet

©Sony Pictures
Kate Bosworth, Kieu Chinh and Jim Sturgess in 21.

by Sean O’Connell, Gazette Movie Critic

21
Directed by: Robert Luketic
Running Time: 122 minutes
Principal Actors:
Kevin Spacey — Micky Rosa
Jim Sturgess — Ben Campbell
Kate Bosworth — Jill Taylor
Rated: PG-13
Grade: *** (out of 5)

Have you ever heard the phrase “The house always wins” in reference to gambling at a casino? Well, when it comes to 21, a flashy adaptation of Ben Mezrich’s compelling New York Times bestseller, the book always wins.
You can start with Mezrich’s superior title Bringing Down the House, which unfortunately belongs to a regrettable Steve Martin-Queen Latifah comedy. Changes, not always for the better, extend from there.
Both the book and the movie recount how a team of math whizzes from the Massachusetts Institute of Technology made millions counting cards at Las Vegas blackjack tables. Mezrich was handed the story by team member “Kevin Lewis” — a bogus moniker used by team member Jeff Ma. Under the guidance of former card counter Mickey Rosa, the MIT geniuses milked Vegas, Atlantic City and a slew of riverboat casinos east and west of the Mississippi River until sophisticated facial-recognition software made it impossible for them to complete their elaborate scams.
Bringing Down the House puts forward a number of interesting arguments, most of which 21 ignores. The book explains how Rosa insisted on recruiting mostly Asian and Persian numbers gurus because inherently racist casino owners would dismiss them as heirs to the Sony Corporation or children of wealthy sheiks who were content to gamble away daddy’s fortune. White kids blowing money at the card tables, however, would raise unwanted red flags.
So who does 21 director Robert Luketic cast as his MIT card counters? Marketable lily-white bombshell Kate Bosworth, British charmer Jim Sturgess and American actor Jacob Pitts. All three are decent actors, though they wouldn’t last ten minutes in the bowels of the famed Bellagio resort and casino. Aaron Yoo is the lone Asian actor in the ensemble. He has precious few lines.
Mezrich goes on to explain that card counters have little to fear in Vegas today because major corporations own the top casinos, and they’d never risk the possibility of a lawsuit by strong-arming a patron in a clichéd back-room encounter. But that’s not dramatic, and so 21 hires Laurence Fishburne as a security chief eager to make a bust because the facial-recognition software is making him irrelevant. The actor is adequately menacing, though the nugget-sized rings on his clenched fingers steal his thunder.
Calling a book better than its movie is hardly earth shattering, and 21 doesn’t go completely bust. It just softens its stance as screenwriters Peter Steinfeld and Allan Loeb attach a number of generic Hollywood elements to Mezrich’s unique story. Even the Mickey Rosa character, so hideous in the book, almost reaches mentor status before Kevin Spacey infuses him with the proper sleaze. Seeing Spacey freeze out his cohorts doesn’t excuse the Scooby-Doo footrace that concludes 21, but those going all-in on the premise won’t care too much.
For a complete listing of current movies playing in the Hammonton area, click on “Entertainment” and “Local Movie Listings.”